True Green Cities / Does the Museum of Modern Art Disrespect Women?

Museum of Folk Art

The American Folk Art Museum is covered in scaffolding as the Museum of Modern Art demolishes it.

Earlier this week I visited the Museum of Modern Art for the first time since they “confirmed” they are demolishing the American Folk Art Museum. I struggled with renewing my membership this past spring given the disrespect both I and many others felt that MoMA showed towards its little jewel of a neighbor which lost out in the big real estate dealings of New York City. Despite the protests of nearly every architectural critic and historian and architects around the world, this beautiful landmark is now under scaffolding as it is dismantled. There has been much written about it and its doom, by me and most recently Architectural Record.  But I gave in and rejoined because some of the best architectural exhibits I’ve ever seen (including both the Labrouste and the LeCorbusier exhibits last year) have been thoughtfully and beautifully curated by the MoMA staff.  I love their restaurants (although incredibly over priced) and reading in the Philip Johnson-designed garden has always been a joy.  So off I went to spend another summer afternoon at one of my beloved institutions, this time to visit the new exhibit “Designing Modern Women.”

Ambiguity Meets Patriarchy

It was hard to tell where the "Designing Modern Women" exhibit at MoMA started.

It was hard to tell where the “Designing Modern Women” exhibit at MoMA started.

This exhibit made me question renewing my membership and left me quivering with anger. Ken Johnson at the NY Times wrote a much more measured review of the exhibit than I find myself capable of doing:  Shoehorned into half the Museum of Modern Art’s design department, “Designing Modern Women 1890-1990” is a confusing exhibition but an excellent conversation starter.  And If there have been important female designers of tools, automobiles and skyscrapers, that sort of work remains unrecognized here.

I had not read any reviews before I went.  I had no idea what to expect, but this was not it.  Before I discuss the intellectual content, let me share my discontent with the exhibit’s organization.  Like Mr. Johnson, I was very confused from the minute I arrived at the exhibit. There was no “entrance,” the entry boards were located halfway into the room and I was never quite sure where the exhibit started or ended.  The entire exhibit was very small.  While LeCorbusier’s groundbreaking exhibit last summer occupied an entire wing of the third floor, this one barely used one room.  Now I love Le Corbusier and that exhibit, which I went to three times, was worth every square foot.  But come on MoMA, an entire century of modern design by women is “shoehorned” in one back space?  (To quote Mr. Johnson again.)

"Kitchen Transformations" - took up almost 25% of the "Designing Modern Women" exhibit.

“Kitchen Transformations” – took up almost 25% of the “Designing Modern Women” exhibit.

It is my understanding that the exhibit is comprised of items already in the MoMA collections.  If that is the case, then MoMA better start seriously evaluating their collections and the representation of woman designers in it.  With such a lack of connected content, I really do not understand why they bothered with this exhibit.  There was no expected “shop” at the end with related items for sale and no exhibit catalogue.  In the book shop, on a shelf entitled “Books related to current exhibits,” the only “related” book I could find was one on midcentury kitchen counters. Really.

Charlotte Perriand designed this kitchen for L'Unite d'Habitation in Marseilles.

Charlotte Perriand designed this kitchen for L’Unite d’Habitation in Marseilles.

Overall I found everything from the chosen content, to the labels to the lack of real intellectual rigor solicitous and patriarchal.  The ambiguity of the goal of the exhibit was frustrating.  Perhaps it would have been less confusing if the exhibit were just called what it was – a random collection of various design items in the modern era by men with some involvement of a woman.  Charlotte Perriand, who worked with Corbu, receives the most attention as does her kitchen design for L’Unite d’ Habitation in Marseilles.  Eileen Gray is mentioned as is Francis Knoll but I had trouble even identifying what items they designed.  The design teams of Charles and Ray Eames, and Robert Venturi and Denise Scott Brown are meagerly represented, but nowhere are any of the brilliant modern architects such as Natalie de Blois even suggested. Yet an entire display called “Kitchen Transformations “ takes up 1/5 of the exhibit. To quote Mr. Johnson one last time, “If the exhibition were intended not to celebrate female designers but to lament how sexism kept them down, you wouldn’t have to change a thing.”

Where is MoMA Heading?

The public is now allowed into the garden for free. The bollards have been moved to the escalators and elevators.

The public is now allowed into the garden for free. The bollards have been moved to the escalators and elevators allowing free public access to the Garden through the opening at the top of the photo, left.

Barry Bergdoll, MoMA’s architecture and design department curator, recently left to return to teaching at Columbia full-time.  His replacement was just announced last week – Martino Stierli, a Swiss art history professor.   I would love to know the real story behind Mr. Bergdoll’s leaving – was he frustrated by the museum’s response to the Folk Art debacle?  Or was it just his time to leave.  I fear that this meager “woman” exhibit is an example of what happens during a leadership vacuum.  I hope that Mr. Stierli continues the significant research and exhibits that are now Mr. Bergdoll’s legacy.   As I left the exhibit and museum in a huff, I realized that the entry bollards were removed, now providing free public access to the garden.  MoMA has offered up its garden to the public as mitigation for demolishing the Folk Art Museum building, and while that is appreciated, since free access to MoMA is not easily gotten, I hardly think that makes up for the reckless disrespect that this institution (and its board) shows toward actual built design on its street.  One wonders if the Folk Art Museum had been designed by Frank Gehry as opposed to the collaborative team of Tod Williams Billi Tsien Architects would the real estate-centric board of MOMA been so quick to dismiss it.

And if you’d like to “subscribe” or follow my blog, True Green Cities, please sign up through the “Subscribe” button at the bottom left of this page. You’ll receive a daily recap when new blogs are posted. Or Sign up for the Feed.

True Green Cities / From Main Street to Eco-Districts: A Spring Walk Down Market Street

Corning's Market Street is lined with beautiful and inviting store fronts.

Corning’s Market Street is lined with beautiful and inviting store fronts.

More than a hundred architects, planners, engineers, green building professionals and even mayors gathered in the heart of the Finger Lakes last month to celebrate the start of the main street revitalization movement with the 40th anniversary of Corning’s Market Street Restoration Agency. In a conference filled with “keynotes,” From Main Street to Eco-Districts: Greening Our Communities in Corning opened a dynamic dialogue between historic preservation and green building practitioners, city planners and thinkers.

AIA Southern New York, the Preservation League of New York StateMarket Street Restoration and Corning’s Gaffer District joined efforts to celebrate the Market Street Restoration project, Corning’s “main street.”  In celebration of Market Street Restoration’s 40thanniversary, this two-day conference featured the one-day “Rethinking Downtowns Through a Green Lens” Symposium and the one-day “Making Upper Floors Work Again” Workshop and Tour of Upper Floors.  Through a combination of keynotes, plenary sessions, and tours, nationally known speakers and local experts discussed smart growth, downtown revitalization, form-based codes, LEED for Neighborhood Development and green new design and preservation projects.

Why is Corning’s Market Street So Special?

Market Street Restoration's 40th Anniversary included Glassfest, a celebration of Corning's glass history.

Market Street Restoration’s 40th Anniversary included Glassfest, a celebration of Corning’s glass history.

In 1974, Market Street Restoration Agency (MSRA) was established to guide the revitalization of downtown Corning following the flood of 1972.  The Agnes flood for many residents is the key historical moment of the 20th century for the City. After the flood, many communities began widespread demolition of their downtowns, seeing the flood’s devastation as a route toward “urban renewal.” Corning took a different approach, relying on a movement toward historic preservation which had begun before the flood to keep the City’s character in place. As its downtown evolved into a restoration project that was later emulated by communities across the country, Market Street Restoration was modeled by the National Trust for Historic Preservation in the creation of its National Main Street Program and the Main Street Manager concept. Now known as one of the very first downtown revitalization projects in the United States, Corning’s renewal, led by Norman Mintz working together with the merchants, business and property owners became the gold standard for revitalizing an historic downtown.  (This paragraph is excerpted from Elise Johnson-Schmidt’s “Living on Main Street History.” Read the full document here:  Living on Market Street HistoryFINAL_By E J-Schmidt.)

From People Habitats to Older, Smaller, Better

Kaid Benfield, the opening keynote, discusses People Habitats.

Kaid Benfield, the opening keynote, discusses People Habitat.

Kaid BenfieldSpecial Counsel for Urban Solutions at the Natural Resources Defense Council, in Washington, DC was the opening keynote of the symposium.  Kaid is an adjunct professor at the George Washington University School of Law;  co-founder, LEED for Neighborhood Development rating system; co-founder, Smart Growth America coalition; author of several books on smart growth and sprawl, and a regular contributor to the websites The Atlantic Cities, the Sustainable Cities Collective, and NRDC’s Switchboard.  He was selected as one of the world’s “top urban thinkers” on the city planning website Planetizen and one of “the most influential people in sustainable planning and development” by the Partnership for Sustainable Communities.  Kaid has just published.  People Habitat: 25 Ways to Think about Greener, Healthier Cities. He opened up the 2 day conference with his thoughts about how to maximize cities’ endless potential to support greener, healthier living.  And reminded us that we build habitats for people, so people need to come first.  And it’s not really about cities, instead it’s about regions and neighborhoods.  City limits are only relevant to cartographers and political candidates.  They’re not relevant to air, water, energy, transportation or commerce. Americans walk less than almost every other nation which correlates to why we are so unfit as a population. Cities need welcoming pedestrian-focused streets and walkways, filled with nature and wonder.  Which is why it isn’t surprising that a small city like Corning has gotten it right.

The Preservation Green Lab's new study proves that older and smaller buildings like those on Corning's Market Street are better for the environment.

The Preservation Green Lab’s new study proves that older and smaller buildings like those on Corning’s Market Street are better for the environment.

While day one began with Kaid’s big picture insight, it ended with Mike Powe’s Greening the Older, Smaller Buildings of Main Street.   As Senior Research Manager of the National Trust for Historic Preservation’s Preservation Green Lab, Dr. Michael Powe leads research efforts empirically assessing the contributions that existing buildings offer communities. At the Green Lab, Mike is part of a team that aims to strengthen the fabric of communities by encouraging reuse and retrofit of existing buildings to improve social, environmental, and economic performance.   With his colleagues, Mike recently completed work on a project that statistically demonstrated the critical role that older, smaller buildings play in supporting the social, cultural, and economic vitality of urban neighborhoods. This study, Older, Smaller, Greener had just been published to great fanfare the week before and the attendees were some of the first professionals to hear the findings from Mike.  We encourage you to read the full study.  And please read Kaid Benfield’s homage to main street and Corning.  

Using Codes and Zoning to Make Downtowns Walkable

The genesis of this conference came from a desire from some of the AIASNY members to learn more about “form-based” codes and this panel included a dream team of planners who are leading the design and implementation of form-based codes. Rick Bernhardt from Nashville, Chris Hawley from Buffalo and Noah Demarest from Ithaca led a lively review of their own city’s regeneration approaches though form-based planning.

The symposium's planning dream team, Rick Bernhardt, Noah Demarest and Chris Hawley, answered questions about form-based codes.

The symposium’s planning dream team, Rick Bernhardt, Noah Demarest and Chris Hawley, answered questions about form-based codes. Photo courtesy Roxanne Button.

Rick’s practice has focused on creating sustainable communities, neighborhoods and places through the use of traditional planning and design principles. In his current position as Executive Director of Metropolitan Nashville-Davidson County Planning Department, he instituted the Community Character Manual (CCM) as a template for form-based community planning and the development of a model for integrated land use and transportation planning. He has also led teams in the adoption of over 20 form-based codes to achieve the community’s vision.  Nashville’s form-based code and planning process is often considering the granddaddy of this process.  Rick shared why community planning is one of the critical elements to creating an effective form-based code and that sometimes you just don’t call a form-based code a form-based code!  The Community Character Manual changes emphasis from land use and density to form and character.  It is a proactive process to preserve, create and enhance community character. The CCM became the reference guide for all community plan policies, providing guidance for future zone change and subdivision requests.

Kaid Benfield signs copies of "People Habitat."

Kaid Benfield signs copies of “People Habitat.” Photo courtesy Roxanne Button.

Chris Hawley is a city planner at the Mayor’s Office of Strategic Planning in Buffalo, NY. He is on the team of planners working on the Green Code, a project to replace the city’s antiquated zoning ordinance with a new code based on smart growth and sustainability principles. The Green Code process has been successful as a result of active citizen engagement and participation. More than 4,000 residents and stakeholders have already participated in the drafting of the Code which is on the street now for final review.  The Green Code has six components: Land Use Plan, Unified Development Ordinance, Local waterfront revitalization program, brownfield opportunity areas, urban renewal plans and generic environmental impact statement. The Code supports planning, rehabilitation and new design through examination of  and sympathy with Buffalo’s significant architectural and planning legacy.

Noah Demarest is a licensed and registered Architect and Landscape Architect as well as a LEED Accredited Professional. Today, Noah leads the design of campus and municipal projects, small commercial projects as well the design of single and multi-family housing through his firm STREAM Collaborative. STREAM Collaborative Architecture + Landscape Architecture and Randall + West Planners recently joined forces with Ithaca based non-profit, Better! Cities and Towns to win a $175,000 grant through NYSERDA’s Cleaner, Greener Communities Initiative.  The project will help the City and Town of Ithaca to build new zoning regulations based on the SmartCode, an open source zoning code that can be calibrated to reflect the best of a community and promotes smarter growth, open space preservation and diverse walkable neighborhoods. Both the City and Town of Ithaca currently rely on outdated zoning regulations that incentivize or require traffic-creating, single-use and auto-dependent sprawl and create unnecessary barriers for pedestrian oriented neighborhoods. Both municipalities have called for a new code in their draft comprehensive plans and are keen to have zoning that reflect their community vision. Noah discussed the process of developing a form-based code including an update on the progress made to date and the overall plan for implementation.

How LEED-ND Can Make Neighborhoods Greener

Streets like Market Street in Corning represent the best ideas of smart growth promoted by LEED-ND.

Streets like Market Street in Corning represent the best ideas of smart growth promoted by LEED-ND.

Jason Hercules and Jessica Millman examined what LEED-ND is and explored how LEED for Neighborhood Development was used in the SALT District in Syracuse as a framework for retrofitting an existing neighborhood and as an audit tool to evaluate the sustainable-readiness of the City of Ithaca’s land development codes and regulations.

Jason Hercules, Manager of LEED Resource Development at USGBC, has studied, taught and worked to implement sustainable development practices for more than 10 years. During his time with the U.S. Green Building Council, he has helped to manage resource development for the LEED for Neighborhood Development rating system, along with many other USGBC rating systems. Jason relies on his expertise in Smart Growth, transit-oriented, mixed-use development, and green building to provide technical development of the rating system; project review and certification; and educa­tion on many of the sustainable development elements espoused by LEED for Neighborhood Development.

Market Street's historic architecture reinforces walkable practices.

Market Street’s historic architecture reinforces walkable practices.

Jessica Cogan Millman is an expert and leader in urban planning, environmentally sustainable development, and the principles of smart growth. As a founding member of the LEED for Neighborhood Development (LEED-ND) Core Committee, Jessica drafted many of the credits. Jessica is experimenting with applying the LEED-ND rating system in non-traditional ways, including using the rating system as an audit tool to measure how well a community can achieve sustainability goals. Jessica has extensive experience working at all levels of government and also in the non-profit arena. Jessica now directs the Natural Resources Defense Council’s Green Neighborhood Program. This program works with communities around the country to design, plan, and catalyze the building of model, neighborhood-scale development projects that combine smart growth, environmental justice, green stormwater infrastructure, efficient transportation options, green building, and public health practices.

The Natural Resources Defense Council (NRDC), one of the nation’s leading environmental organization, is reducing the country’s environmental footprint by transforming the way urban revitalization is conducted in America.  The Green Neighborhoods program is designed to identify the needs specific to each place and work together with local partners to develop a strategy to implement neighborhood scale sustainable development projects. The green metrics defined in LEED for Neighborhood Development guide the recommendations.

A wine tasting and juried architecture of Corning art show provided conference participants with a lively social venue.

A wine tasting and juried architecture of Corning art show provided conference participants with a lively social venue.

The LEED for Neighborhood Development Rating System was developed primarily for new development projects interested in obtaining a “green” stamp of approval. The rating system contains a set of measurable standards that score the degree to which a proposed development is environmentally superior by considering the development’s location and access, its internal pattern and design, and its use of green technology and building techniques.  However, the tool is much more than that. It is also a checklist capable of articulating and quantifying what sustainability at a community scale looks like.  Thus, not only can LEED-ND be used to certify development projects, communities can align their plans and land development regulations with sustainability best practices.

Historic Buildings are Going Green

From big picture planning, the day proceeded with studies of historic buildings which have successfully gone green.  I presented an overview of the topic which can be basically read throughout my website and Joseph Mahota and Anna Campas presented detailed examinations of how their historic building projects achieved LEED certification.

The West End Gallery on Market Street hosted the art show and conference reception.  Photo courtesy Anthony James.

The West End Gallery on Market Street hosted the art show and conference reception. Photo courtesy Anthony James.

Joseph F. Mahota RA, AIA, LEED AP, CCEO, SSGB is the principal owner of Mahota Associates Architects, a specialized Architectural Design and Consulting Firm specializing in the Design Build Delivery Method for buildings and development. The firm was established in 2001 and is located in Loudonville, NY.  Joe’s 27 year career has been an exploration of architect as master builder advocating the building process as another one of the many steps and benefits of good design. His firm renovated the Barton Mines Corporate Headquarters in an 1864 historic downtown commercial building in Glens Falls New York, achieving LEED Platinum. Joe shared the intricacies of working with a client who has high performance sustainability building goals as a way to counteract the fact that its business is from strip mining (of garnet primarily).

Anna Campas is a registered architect, professional engineer and LEED AP with the NYS Office of General Services (OGS). She has co-chaired the drafting of rules and regulations for the NYS Green Building Construction Act and is charged with training designers for the implementation of the Governor’s Executive Order No. 88 (Energy Efficiency of State Buildings) at her agency.  At OGS, Anna focuses mainly on sustainability projects and led the project to achieve LEED Gold certification for the 1856 Governor’s Mansion in Albany in 2009. This was the first governor’s residence in the country to achieve that level of the LEED rating system, specifically working to improve the maintenance and operations of the residence.

Making Upper Floors Work Again

Art is an integral part of downtown Corning, including this recent sculpture.

Art is an integral part of downtown Corning, including this recent sculpture.

Day Two of the conference looked at the nuances of revitalizing downtown main streets and focused on the issue of upper floor vacancy. Downtowns throughout New York are characterized by two-to five-story buildings constructed in the 19th and early 20th centuries. These commercial rows have endured changing uses and economies and with timely care, they can last for centuries. Many boast of special details – from cast iron storefronts to brick cornices – and some buildings are designated as landmarks. While street level business may catch our attention first, the upper floors are also integral to the buildings. However, vacant upper stories present opportunities and challenges for reuse.

Recognizing the need for information on how downtowns can become more vibrant, the Preservation League of New York State developed a program consisting of a workshop made available to communities facing the issue of upper floor vacancy. The workshop, “Enhancing Main Street: Making Upper Floors Work Again,” brings together experts in community revitalization. The workshop sessions addressed design, building code and financial strategies employed in New York State communities for bringing upper floors back to productive use.

Norman Mintz was the opening keynote for Day Two.  He is one of the pioneers of the Main Street movement. He is an Industrial Designer and a Historic Preservationist who specializes in providing solutions on matters of Urban Design, Organization and Management while encouraging community participation in all aspects of the downtown revitalization process.

One of the many beautiful apartments that were open for the Upper Floors Tour.  Photo Courtesy Anthony James.

One of the many beautiful apartments that were open for the Upper Floors Tour. Photo Courtesy Anthony James.

Following are Norman’s own words regarding why Main Street Revitalization Matters:  Although Main Street may have lost its importance as a shopping destination (at least in terms of a mall), it has never lost its significance as the heart and soul of the community. It is that emotional tie that has kept Main Streetʼs existence relevant.  Emotions however can go just so far. As such, over the past couple of decades downtown revitalization efforts have kicked in to ensure that Main Street remains as a vital center for community life. This is not an easy task, yet enormous strides have taken place on Main Streets and neighborhood commercial districts all over the country.

Market Street in downtown Corning is lined with 3-5 story commercial buildings.

Market Street in downtown Corning is lined with 3-5 story commercial buildings.

Norman’s presentation touched upon the many ways that Main Street contributes to the social, economic and spiritual life of a community. Topics included: Pride of Place, Appreciation of History, Preservation of Older Buildings, Environmental Sense, Rehabilitation of Infrastructure, Fostering Economic Viability, Providing Jobs, and Offering Choices for Housing and for the promotion of Quality of Life.  Above all, the presentation was geared as a way to encourage Main Street stakeholders ‐ from property owners, to merchants, developers, elected officials and residents alike, to know that their continuing efforts are making a huge contribution in “Why Main Street Revitalization Still Matters”.

Once Norman set the stage, Murray Gould honed in on how to financially and economically make the revitalization case.  Murray Gould is the founder of Port City Preservation LLC, a consulting, advisory and development firm that specializes in the adaptive reuse, restoration and rehabilitation of historic properties. Port City Preservation has participated in a wide range of successful projects that include historic homes, mills, industrial facilities, hospitals, schools and public buildings – all of which were highly challenging. Previously, Murray served as the chief tax executive of Carolina Power & Light Company for 13 years.  Using case studies of a school, home, textile mill, hospital and hotel, Murray took participants through the options for financing and successfully working the State Historic Preservation Offices and National Park Service on  rehabilitation tax credit projects.

Conference participants gather in the Radisson Hotel ballroom on Day One.

Conference participants gather in the Radisson Hotel ballroom on Day One.  Photo courtesy Roxanne Button.

Joseph Fama is the Executive Director of TAP, Inc., a community design and development center established in 1969 that provides design and planning services in Troy and throughout the Capital Region.  He has been TAP’s executive director since 1972 and is one of its three staff architects. Joe has been directly involved with building code issues as a member of the NYS Department of State Technical Subcommittees on revision of the State Energy Code, Appendix K of the Building Code (for Existing Buildings), and the adoption of the International Existing Buildings Code. With the involvement of Joe and others at TAP, the center frequently provides consulting services in evaluating code requirements for proposed renovation projects. Joe explained the implications of the 2010 Code for Existing Buildings on preservation projects, discussed compliance alternatives and helped attendees understand the structure and application of the current code and the hopes for upcoming new codes.  Joe sees four points of interest and conflict – exits, accessibility, sprinklers and R-3: the Main Street use class.

Elise Johnson-Schmidt, one of the organizers of the conference ended the conference with a passionate discussion of “living on main street.”   A preservation architect from Corning, Elise is a former member of the New York State Board for Historic Preservation and a founding board member of the New York Main Street Alliance. She has 30 years of experience in preservation architecture as both an architect and as the former Executive Director of Market Street Restoration Agency.  Elise has championed the development of upper floor housing in historic downtowns since 1995, building support in the public and private sector through her work to impact the NYS Existing Building Code and advocating private, not-for-profit and public property owners to revitalize historic buildings for use as housing.

A Finger Lakes wine testing was the perfect way to unwind after a day filled with talks.

A Finger Lakes wine testing was the perfect way to unwind after a day filled with talks.

Since 2001, Elise has been leading Corning’s efforts to remake the vacant upper floors of Market Street.  Now, there are over 50 market rate apartments, abundant additional quality apartment spaces and apartments are at 100% occupancy.  Rarely is there availability and Corning’s success is once again being watched by downtown revitalization professionals and nearby communities.  Living downtown breathes new life into communities: it creates a 24-hour presence, stimulates the creation of new nighttime businesses, creates vibrancy in a community, provides income to maintain the buildings, and elevates the quality of life.

Celebrating With an Art Show and a Market Street Tour

Conference events were held all over town from the Brutalist 1970s Radisson Hotel, to the renovated 171 Cedar Arts Center and the West End Gallery on Market Street.  Participants enjoyed roaming around the shops and upper floors of Market Street as much as they enjoyed meeting one another and sharing walkability, preservation and green retrofit ideas.  A juried art show and conference reception was held in an art gallery on Main Street and the conference ended with several hours of self-guided tours through upper floor apartments and businesses that opened up specifically for the group.

Market Street's shops make walking always worthwhile in downtown Corning.

Market Street’s shops make walking always worthwhile in downtown Corning.

Kaid Benfield told us how our “people habitat” ‐ our homes, neighborhoods, cities and towns, and metropolitan regions ‐ has an ecology analogous to that of natural habitat: its component parts must be in harmony with each other and with the natural world upon which people habitat depends. Because much damage has been done over the past several decades, however, our task as designers and placemakers must now be to restore that harmony essential to sustainability.  Spending time in Corning shows us how to do that.

And if you’d like to “subscribe” or follow my blog, True Green Cities, please sign up through the “Subscribe” button at the bottom left of this page. You’ll receive a daily recap when new blogs are posted. Or Sign up for the Feed.

 

True Green Cities / Pondering Modernism in a Modern City

The Noguchi-designed Sculpture Garden in Houston's Museum District activates the district's streets which are lined with iconic museum buildings.

The Noguchi-designed Sculpture Garden in Houston’s Museum District activates the district’s streets which are lined with iconic museum buildings.

It’s been three years since I launched Barbara A. Campagna/Architecture + Planning, PLLC and while many things have changed, my goal to work on “greening what’s already here” continues to be met, often in places I never expected.  Many people are finding new ways to integrate historic preservation and green building practices, which makes my new venture a delightful and intellectually inspiring one.  This is blog five of my anniversary week.

Houston

The Docomomo US Conference was held in the inspiring campus of the University of St. Thomas designed by Philip Johnson.

The Docomomo US Conference was held in the inspiring campus of the University of St. Thomas designed by Philip Johnson.

Houston is the largest city in Texas and the fourth largest city in the United States with over 2.1 million people.  I have been invited to speak in Houston four times in the past three years and find myself enjoying and admiring Houston more and more every time. Houston was the site of the second annual Docomomo US conference this past March and I had the honor to speak on a panel about sustainability and modernism.

Passive Design and Modernism in the Sunbelt

Early office buildings in Houston originally had overhangs to protect the glass from the sun.

Early office buildings in Houston originally had overhangs to protect the glass from the sun – such as this one to the right.  Professor Sabatino discussed the transformation of Houston’s buildings in his presentation and seminal article attached in this blog. 

Our panel included Carl Stein discussing the themes from his book Greening ModernismProfessor Michelangelo Sabatino discussing passive design approaches in Houston’s modern skyscrapers and me discussing the control of humidity in modern buildings.  Traditional historic buildings (built before 1945) were often built in ways that recognized the high degree of individual controllability that buildings that respond to their climate and region can have.  Traditional and vernacular buildings, constructed before fossil fuels were in widespread use, required active participation of building occupants to manage and control their comfort, health and productivity.  But how do you control interior environments when the windows do not open, the curtain wall is sealed or there is no mechanical ventilation?  This topic explored sites across the country that encounter high humidity – from the summers in the Midwest to the summers in the South East.  Buildings such as Philip Johnson’s Glass House, Mies van der Rohe’s Farnsworth House, Frank Lloyd Wright’s Pope-Leighey House, an O’Neill Ford house in San Antonio and NCPTT’s headquarters in Natchitoches, LA were reviewed.  These presentations were videotaped and will be posted on this site once they are up.

Remaking the of Epitome of Suburban Sprawl Into an Urban Oasis

This wing of Houston's Museum of Fine Arts is the only museum building in America designed by Ludwig Mies van der Rohe.  His classic glass box design requires full curtains lining the interior curtain wall to allow the installation of art work.

This wing of Houston’s Museum of Fine Arts is the only museum building in America designed by Ludwig Mies van der Rohe. His classic glass box design requires full curtains lining the interior curtain wall to allow the installation of art work.

Something’s happened to downtown Houston in the past five years.  A light rail opened.  Vacant downtown office buildings have become lofts and boutique hotels.  A Brutalist theatre is receiving a LEED Gold makeover.  The museum district is a real neighborhood which can be reached from downtown for $1.25 on the light rail.  The museums include buildings by Mies van der Rohe (a wing of the Museum of Fine Arts, the only museum he designed in America), Rafael Moneo (another wing of the Museum of Fine Arts), Venturi Scott-Brown and Associates (Children’s Museum), Ralph Appelbaum Associates (Houston Holocaust Museum), a Noguchi-designed Sculpture Garden, and Gunner Birkarts (Contemporary Arts Museum). A new Steven Holl museum is also in the works.

The Alley Theatre, a Brutalist landmark in downtown Houston designed by Ulrich Franzen, is undergoing a LEED Gold Rehabilitation.

The Alley Theatre, a Brutalist landmark in downtown Houston designed by Ulrich Franzen, is undergoing a LEED Gold Rehabilitation.

Just a 10 minute walk towards downtown is a secondary Museum and university district called Midtown with masterpieces by Renzo Piano (the Menil Collection and the Cy Twombly Gallery) and Philip Johnson (University of St. Thomas and Rothko Chapel). The Docomomo US Conference was held at the University of St. Thomas and the Menil Collection, inspiring places to discuss modernism.

And if you’d like to “subscribe” or follow my blog, True Green Cities, please sign up through the “Subscribe” button at the bottom left of this page. You’ll receive a daily recap when new blogs are posted. Or Sign up for the Feed.

 

© Copyright Barbara Campagna – True Green Cities - 2011-2013